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28.09.2018
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Stanley Lombardo's Aeneid Translation Stanley Lombardo's Aeneid Translation • • • • • The Book Virgil, Aeneid, trans. Stanley Lombardo, intro. Johnson (Indianapolis/Cambridge: Hackett Publishing Company, Inc., 2005) is the version of Lombardo's translation that I have, and I believe it is the only published version at this point. It comes in both paperback (ISBN: ) and cloth (ISBN: ). It includes a map, a brief translator's preface, a 57-page introduction, and a glossary of names. Dialog 6 orang tentang lagu duriat. It is readily available at online booksellers, including the. The Translator Stanley Lombardo is Professor of Classics, University of Kansas.
His previous translations include Homer's Illiad (1997, Hackett) and Odyssey (2000, Hackett), Hesiod's Works & Days and Theogony (1993, Hackett), and Sappho, Poems and Fragments (2002, Hackett), a PEN 'center' USA 2003 Literary Award Finalist. • The Translation Of the three recent translations of the Aeneid (see also and, only Lombardo's is in verse.
He explains: The rhythmic line that I have developed.is based.on natural speech cadences. This is in keeping with the performative qualities of the Aeneid, which although it is literary rather than oral epic was nonetheless intended to be recited, practiacally sung. He goes on to say I have continued the practices.of composing for performance as much as for the printed page and of using actual performances to shape the translation process. The result is what seems to me to be a slightly uneven, but very readable, mix of 'poetic' and 'prosaic' elements. Lombardo supplies no notes with his translation, which perhaps is to be expected for a work shaped by the performative qualities of the Aeneid.
Whether this is a plus or a minus depends on the reader. I sometimes find too many notes distracting - yes, I could just ignore them but I have a hard time doing that - but there are times when a little explanation seems necessary. There is a glossary of names in the back of the book.
I have finally found a review of this book in the. I also found a with a few comments on the Aeneid in general, and Lombardo's translation in particular. I also see the Lombardo had an essay and some excerpts from his translation in, although I have not yet been able to read it. • An Excerpt, Aeneid IV.693-705.
Latin Lombardo's Translation Tum Iuno omnipotens, longum miserata dolorem difficilisque obitus, Irim demisit Olympo, quae luctantem animam nexosque resolveret artus. Nam quia nec fato, merita nec morte peribat, sed misera ante diem, subitoque accensa furore, nondum illi flavum Proserpina vertice crinem abstulerat, Stygioque caput damnaverat Orco. Ergo Iris croceis per caelum roscida pennis, mille trahens varios adverso sole colores, devolat, et supra caput adstitit: 'Hunc ego Diti sacrum iussa fero, teque isto corpore solvo.' Sic ait, et dextra crinem secat: omnis et una dilapsus calor, atque in ventos vita recessit.
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Use the following search parameters to narrow your results: subreddit:subreddit find submissions in 'subreddit' author:username find submissions by 'username' site:example.com find submissions from 'example.com'.
Stanley Lombardo's Aeneid Translation Stanley Lombardo's Aeneid Translation • • • • • The Book Virgil, Aeneid, trans. Stanley Lombardo, intro. Johnson (Indianapolis/Cambridge: Hackett Publishing Company, Inc., 2005) is the version of Lombardo's translation that I have, and I believe it is the only published version at this point. It comes in both paperback (ISBN: ) and cloth (ISBN: ). It includes a map, a brief translator's preface, a 57-page introduction, and a glossary of names. Dialog 6 orang tentang lagu duriat. It is readily available at online booksellers, including the. The Translator Stanley Lombardo is Professor of Classics, University of Kansas.
His previous translations include Homer's Illiad (1997, Hackett) and Odyssey (2000, Hackett), Hesiod's Works & Days and Theogony (1993, Hackett), and Sappho, Poems and Fragments (2002, Hackett), a PEN 'center' USA 2003 Literary Award Finalist. • The Translation Of the three recent translations of the Aeneid (see also and, only Lombardo's is in verse.
He explains: The rhythmic line that I have developed.is based.on natural speech cadences. This is in keeping with the performative qualities of the Aeneid, which although it is literary rather than oral epic was nonetheless intended to be recited, practiacally sung. He goes on to say I have continued the practices.of composing for performance as much as for the printed page and of using actual performances to shape the translation process. The result is what seems to me to be a slightly uneven, but very readable, mix of 'poetic' and 'prosaic' elements. Lombardo supplies no notes with his translation, which perhaps is to be expected for a work shaped by the performative qualities of the Aeneid.
Whether this is a plus or a minus depends on the reader. I sometimes find too many notes distracting - yes, I could just ignore them but I have a hard time doing that - but there are times when a little explanation seems necessary. There is a glossary of names in the back of the book.
I have finally found a review of this book in the. I also found a with a few comments on the Aeneid in general, and Lombardo's translation in particular. I also see the Lombardo had an essay and some excerpts from his translation in, although I have not yet been able to read it. • An Excerpt, Aeneid IV.693-705.
Latin Lombardo's Translation Tum Iuno omnipotens, longum miserata dolorem difficilisque obitus, Irim demisit Olympo, quae luctantem animam nexosque resolveret artus. Nam quia nec fato, merita nec morte peribat, sed misera ante diem, subitoque accensa furore, nondum illi flavum Proserpina vertice crinem abstulerat, Stygioque caput damnaverat Orco. Ergo Iris croceis per caelum roscida pennis, mille trahens varios adverso sole colores, devolat, et supra caput adstitit: 'Hunc ego Diti sacrum iussa fero, teque isto corpore solvo.' Sic ait, et dextra crinem secat: omnis et una dilapsus calor, atque in ventos vita recessit.