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• • • A horror film is a film that seeks to elicit fear. Initially inspired by literature from authors like,, and, horror has existed as a film genre for more than a century. The macabre and the supernatural are frequent themes. Horror may also overlap with the,, and genres. Horror films often aim to evoke viewers',, and of the unknown.

Plots with in the horror genre often involve the intrusion of an force, event, or personage into the everyday world. Prevalent elements include,,,,,,,,,,,,,,, or,. Some sub-genres of horror film include low-budget horror, action horror,,, disaster horror,,,,,,,,,,, first-person horror, and teen horror. Scene from 1897 short film, or The Haunted Castle In 1897, the accomplished American photographer-turned director created (1897), a horror-comedy that came out a mere two years after x-rays were invented. The film shows a couple of skeletons courting each other. An audience full of people unaccustomed to the idea would have found it frightening and otherworldly.

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The next year, Smith created the short film (1898), consisdered a precursor to the paranormal investigation subgenre. The film portrays three men attempting to photograph a ghost, only to fail time and again as the ghost eludes them and throws chairs. Or Satan at Play (1907) also made early forays into the horror genre.

In 1898, Japanese film company Konishi Honten released two horror films both written by Ejiro Hatta; (Resurrection of a Corpse), and (Jizo the Spook) Shinin No Sosei told the story of a dead man who comes back to life after having fallen from a coffin that two men were carrying. (the writer Hatta played the dead man, while the coffin-bearers were played by Konishi employees.) Though there are no records of the cast, crew, or plot of Bake Jizo, it was likely based on the Japanese legend of statues, believed to provide safety and protection to children. The presence of the word bake—which can be translated to 'spook,' 'ghost,' or 'phantom'—may imply a haunted or possessed statue.

(In Japan, Jizō, or respectfully as Ojizō-sama, is a beloved divinity who is seen as the guardian of children, and in particular, children who died before their parents. He has been worshipped as the guardian of the souls of mizuko, the souls of stillborn, miscarried, or aborted fetuses.). In 1910, produced the of 's. In 1910, produced the first filmed version of 's classic gothic 1818 novel, the popular story of a scientist creating a hideous, sapient creature after a successful scientific experiment. Adapted to the screen for the first time by for Edison, (1910) was deliberately designed to de-emphasize the horrific aspects of the story and focus on the story's mystical and psychological elements. Yet, the nature of its source material made the film synonymous with the horror film genre.

(as the Golem) and (as Jessica), in the 1915 German, partially lost horror film. Followed up his success with The Student of Prague by adapting a story inspired by the ancient Jewish legend of the, an anthropomorphic being that is magically created entirely from clay or mud.

Wegener teamed up with to make (1915). The film, which is still partially lost, tells a story of an antiques dealer who finds a golem, a clay statue, brought to life centuries before. The dealer resurrects the golem as a servant, but the golem falls in love with the antiques dealer's wife.

As she does not return his love, the golem commits a series of murders. Wegener then made a sequel, this time he teamed up with co-director, and made (1917), or The Golem and the Dancing Girl as it is known in English.

It is now considered a lost film. Wegener would make a third golem film three years later to round up his Der Golem trilogy. In 1919, Austrian director released a German silent anthology horror film called, also known as Eerie Tales or Uncanny Tales. In the film, a bookshop closes and the portraits of the,, and the come to life and amuse themselves by reading stories—about themselves, of course, in various guises and eras. The film is split into five stories: The Apparition, The Hand, The Black Cat (based on the ), The Suicide Club (based on the and Der Spuk (which translates to The Spectre in English). The film is described as the 'critical link between the more conventional German mystery and detective films of the mid 1910s and the groundbreaking fantastic cinema of the early 1920s.'